Love for Life | Katharina Heinrich | Music What Else

katharina heinrich, love for life

“Love For Life”, recorded in 2002 at Bonafide Studios London and 11 A Studios Gloucester. Produced by Jeff Spencer. For more liner notes please scroll down

Says the BBC about “Love For Life“:

Listening to Katharina, it is easy to imagine yourself being whisked off to some trendy basement jazz club. Katharina sings softly through the smoke to an appreciative audience, while the musicians strum, pluck and tap their instruments with a smiling nod and occasional “yeah”.

Source: Love for Life | Katharina Heinrich | Music What Else

Do you remember the days when you snuck off to the den, “armed” with a pitcher of ice cold lemonade in one hand, a snack in the other and your cassette player tucked under your arm and when equipped in this way you’d spent an entire blissful afternoon daydreaming yourself away to the realms that your favorite music icons wrote and sang about? When the world would seem to stand still for a precious few hours and noone and nothing could get you distracted from this secluded island of peaceful happiness? I certainly do as clear as daylight and the closest I got to moments of this caliber unmatched for years of “grownup” existence that leave barely any “breather” of space between chores and responsibilities of one or the other kind was when closely listening to Katharina Heinrich’s Love For Life album today. It is an effort that teems with passion, dedication, precision execution of the artistic vision albeit birthed during one of the darkest trials anyone can go through: The loss of a loved one. Or maybe it is exactly because of this personal tragedy that the results are hauntingly awe-inspiring, while I’m intentionally avoiding the term perfect at any cost…. because nothing is more boring than complete perfection. And yet – you almost can’t call this major piece of music anything else but perfect.

How so? Well, for one there is Katharina’s knack for writing songs that marry musicianship to the accessibility of a catchy melody or writing “timeless classics” as her collaborators and recruited musicians coined it. There is her sensual voice that navigates the musical equivalent of deepest despair with the same command and ease as the more lighthearted tracks – or so they come across. A vocal maturity that is rare and a humility towards her gift that should be wrapped and sold in family sized packages in the days of talent casting spectacles and whatnot. As if that wasn’t enough, she displays impressive piano chops throughout the record only to be “relieved” from her post for the piano solo in “Motherless Child” and “Christine” that Andy Nowak contributed as an icing on an already lavish cake of music. Have we mentioned “multi instrumentalist” yet? No? Well, she is, as she plays classical guitar on the record as well.

Next, Kat’s lyrics. It rarely ever gets more profound than this and not only in light of the backdrop of personal tragedy. You might as well divorce the lyrics from the personal experience that spawned them and can’t help but find yourself going “Yeah, been there, done that”, nonetheless, if you’re a sufficiently sentient, sensitive being, that is.

And then – the abundance of musical talent and sensitivity from her collaborators, who brought their incredible skills to the project in ways any songwriter can only dream of. Every single lick, every single line and musical statement finds its way into the songs in such an organic way that borders on telepathy. And that is the exact magic that outstanding pieces of music are made of: A mutual understanding, a being on the same page with everything that turns a song into a gem. And no less is what we hear on the album: Magic!

I haven’t listened to music like this in a long time. Scrap that: I haven’t experienced music like this in quite some time. But when you come across substance, there are no filters, there is no defense. It’s like falling in love: It happens and the forces of the universe align and inadvertently draw you into the experience.

Too big a mouthful? Find out for yourself. (URLs lands on Kat’s online store, this link lands you on the artist’s website)


Katharina Heinrich: All songwriting/composing except: “Sometimes/Motherless child” (Gospel/Spiritual), vocals, backing vocals, piano, classical guitar, piano, rhodes, editing, E-piano solo on “Faoleon”

Jeff Spencer: Electric Bass, producer, editing, mixing, mastering, steel string guitar in “All I need”, backing vocals, acoustic guitar, bass solo on “I Know” and “Relate”

Matthew Jones: Drums, percussion

Steve Browning: Jazz guitar, classical guitar, solo on “Love for Life”, “Roundabout”, “I know”, “Olena”, “Swimming”, “Trying”, guitar solo at the end of “Relate”

Andrew McKenzie: Electric guitar on “Together”

Luke Hanrey: Drums on “Together”

Aristazabai Hawkes: Double Bass on “Together”

Pete Rosser: Accordion solo on “Launderettes and Stories”

Christopher Arthur: Spoken lyrics on “Together”

Andy Nowak: Rhodes

‘To Age Is a Sin’: In Blunt Speech, Madonna Confronts Bias in Various Forms

While accepting Billboard’s Woman of the Year award, the 58-year-old star said that all was not well and fair for female entertainers, or for women in general.

Source: ‘To Age Is a Sin’: In Blunt Speech, Madonna Confronts Bias in Various Forms

Mad respect for Madonna! At the time she put herself on the map with “Material Girl” I hadn’t grown to the level of understanding and awareness just yet that the song’s lyrics might be a sarcastic statement and criticism as to the status quo in the music industry in particular and society in general. Looking at her career spanning three decades and having remained on the billboards and touring for all these years and still doing it while not compromising her stance is an almost intimidating reference to willpower, stamina and character. Mad respect!

Friday essay: the loss of music

Whenever you listen to a streamed song, like it but don’t buy it, and instead stream it again – especially on YouTube – you are casting a vote for the future nonexistence of professional musicians.

Source: Friday essay: the loss of music

Found this in my Facebook stream today. I think this article is spot on in regards to the future of music that’s created at a professional level.

NumberOneMusic – aaaand… another social media platform for independent artists to promote themselves :)

So, here’s yet another social media (music related) hangout I just registered on: Source: wesbound – NumberOneMusic 

(don’t think, I was able to keep track… Facebook, Reverbnation, Soundcloud, Orfium, Bandcamp, my own homepage/blog, G+… and now NumberOneMusic… 😉 Oh, I forgot iLike, Last.FM, Myspace – not active on these – and … see… I forget…)

Facebook Snafu – for the umpteenth time. Enough

Screen Shot 2016-08-10 at 02.14.48For the gazillionth time – or so it feels – my Facebook page got hacked. I had to disable my old personal profile on Facebook, create a new one, then “hack into” my page and assign myself as an admin. While doing all this, I had to relinquish all my personal data with Facebook and – still didn’t get access to my page in return. I’m done now with these Shenanigans. You’ll find me here. Or not. Up to you. Won’t be happening much of anything here anyways. So don’t count on it. I just felt I should let y’all know.

Smiley, everyone.